"I am reading Dayn Perry."
One says this loosely, with non-chalance. Syllables cost nothing.
Yet something packs itself into the back of your brain, like the sodden lump of chaw that is fusing with your rear molars. It becomes a part of you so gradually you don't even notice – until the surgeon is administering ether and reminding the nurse which section of your jaw will have to go.
This prose, this eddy of words, seems not so much written by the man as emanating from him. Does the flickering streetlight in the back alley "compose" photons?
Let us, together you and I, picture the man who gives us these words. Does he speak slowly, resting his sun-battered face on a grizzled paw, dispensing bad advice through refills of cheap rye? Is he on too-good terms with an ill-intentioned barkeep?
No, there is a gleam in his words. This is no dingy public house. It is the room at the horse track closest to the betting window. His relentless gob unloads one barrel at a time, a scattershot of speech to anyone within his firing radius, and some without. His tight fists are clutching thesauruses and losing tickets, but this does not prevent gesticulation. His phrases are peppered with "haberdashers" and "indigents" and he has consorted with both, comfortably. His vocabulary is that of a mid-century tobacco advertisement. He knows "catarrh" from first-hand experience.
There's a wink in the direction of his empty highball glass, and without speech you know he's offering you better odds. The vig is an Old Fashioned. What was that bookie thinking with 7/2 on Captain's Favorite, anyway?
I am reading Dayn Perry. I will die one day, but today
I am reading Dayn Perry.